New Album

chair beside large hanging gong

World Rhythms
Room 40
Buy / Stream on Bandcamp

READ THE REVIEWS:

Recorded on five reel-to-reel decks, the composer’s 1975 piece blends everyday and exotic sounds—human breath, cheeping frogs, bubbling geysers—into a passionate defense of the raptures of listening.

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— Joshua Minsoo Kim, Pitchfork
April 28, 2026

Lockwood’s patience and attention to detail has always been singular, allowing environmental sounds to unfold according to their own pace and logic, and here there’s a surfeit of overlapping lines that almost feels orchestral. But it’s the motion in those sounds that defines this work, both auguring Lockwood’s subsequent field recording projects and taking the contemporary listener away from digital overload with something essential and eternal to our understanding of sound.

— Peter Margasak, The Wire
Issue #506, April 2026

Upcoming Events


June 30, 2026
Elwha!
Annea Lockwood and Claire Chase
Claire Chase, flutes
Time of Music Festival
Viitasaari, Finland
More information

July 9, 2026
Jitterbug, Buoyant, Dusk
Livia Schweizer, flute; Mark Reid, guitar;
Marja Ahti, kantele, percussion
Sibelius Museum
Turku, Finland
More information

New Book

decaying upright piano in a bog
Piano Decompositions: The Ecology of Destroyed and Decaying Instruments
Heidi Hart and Beate Schirrmacher, University of Minnesota Press, 2026
Includes extensive studies of Lockwood’s Piano Transplants
Available Now:
University of Minnesota Press
Bookshop.org
Amazon

Latest Interview


Annea Lockwood, Composer and Sound Artist
Teh Chin Liang, Dave’s Travel Journal, June 5, 2026
Read the article

Latest News


Annea Lockwood awarded a 2026 New York State Council on the Arts (NYSCA) Support for Artists Grant