Planted Piano


A New or Another Sound Map: Annea Lockwood and Mark Sciuchetti Listen to the Hudson River
Devise Von Glahn and Mark Sciuchetti, Ecomusicology Review, Vol. 7
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Ephemeral cartography: on mapping sound
Peter McMurray, Sound Studies: An Interdisciplinary Journal, 2019
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Annea Lockwood: Composer or Sound Artist?
Tim Rutherford-Johnson, Positionen: Texte zur aktuellen Musik
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Tiger Balm and Ear-Walking Man (A conversation between Annea Lockwood and crys cole)
Blank Forms, Vol. 2: Music from The World Tomorrow
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Sound Streams, Louise Gray, Notes on Other Music

Watching the River Flow, Louise Gray, The Wire, No. 414, August 2018
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You look at a score, you do it (on Womens Work, the publication co-edited with Alison Knowles 1975-6), Irene Revell/Annea Lockwood, Cesura//Acceso, UK, Issue #2, January 2017

Tape Leaders, a compendium of Early British Electronic Music Composers, Ian Helliwell, Sound on Sound, UK, 2016

Elements and Principles of 4D Art and Design, Ellen Mueller, Oxford University Press, 2016

Unauthored Music and Ready-Made Landscapes, Vadim Keylin, Gli Spazi della Musica, Vol. 4, No. 2, 2015

A Sound Map of the Danube: Die Komponistin Annea Lockwod und ihre Klangkarte der Donau,
Gerhard Gensch, Draussen in der Wachau, Band 2, ed. Walter Grond, (Haymon Verlag, Innsbruck-Wien 2012)

Beating Against the Current, Julian Cowley, The Wire, No.340, June 2012

Word Events: Perspectives on Verbal Notation, John Lely and James Saunders (The Continuum International Publishing Group, 2012)

“Von brennenden Klavieren zu Donauklängen. Die Klangwelt der Annea Lockwood”, Jennifer Hymer, MusikTexte Issue 126, August 2010

Pink Noises: Women on Electronic Music and Sound, Tara Rodgers (Duke University Press 2010)

The Source Book: Music of the Avant Garde, 1966-1973, ed. Larry Austin & Douglas Kahn (University of California Press, 2009)

The Expressive Forest: Essays on the arts and ecology in Oceania, Denys Trussell (Brick Row Publishing, 2008)

The Fundamentals of Sonic Art & Sound Design, Tony Gibbs (AVA Academia, 2007)

Sound Art: Beyond Music, Between Categories, Alan Licht (Rizzoli, 2007)

Hermes’ Ear, ed. Josef Cseres, HEyeRMEarS (Slovakia, 2006)

“Cross Platform: Annea Lockwood”, Julian Cowley, The Wire, No.269, July 2006

“What is a River? Annea Lockwood’s Sonic Journeys”, Noah Creshevsky, ISAM Newsletter, Vol XXXIV, No.1; Institute for Studies in American Music,
Brooklyn College, CUNY 2004

“Annea Lockwood: River of Sound”, Jennifer Hymer, Musicworks #84, 2002

Hudobné simulacra, Jozef Cseres, Hudobné Centrum (Slovakia, 2002)

Noise Water Meat: a history of sound in the arts, Douglas Kahn (MIT Press, 1999)

Der Begriff ‘Improvisation’ in der Neuen Musik, Sabine Feisst, Berliner Musik Studien, Band 14, 1998

Annea Lockwood’s Burning Piano, Scruffed Stones…, Michael Lee, Women & Music Vol.3, 1998

American Music in the Twentieth Century, Kyle Gann (Schirmer, 1997)

Electric Sound: the past and present of electronic music, Joel Chadabe (Prentice Hall, 1997)

Gender and the Musical Canon, Marcia Citron (Cambridge University Press, 1993)

Women & Music: A History, ed. Karin Pendle (Indiana University Press, 1991)

Striding Out: Aspects of Contemporary Dance in Britain, S. Jordan (Dance Books, 1991)

Oxford History of New Zealand Music, J.M.Thomson (Oxford University Press, 1990)

The New Grove Dictionary of Women in Music

The New Grove Dictionary of American Music

The New Grove Dictionary of Musical Instruments